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卓克艺术网>展览频道>“Summer Fling 出神一瞥,永不落幕的夏天”群展
“Summer Fling 出神一瞥,永不落幕的夏天”群展
展览时间:2019/8/18-2019/9/18
展览城市:北京-北京
展览地点:蜂巢(北京)当代艺术中心
策展人:杨鉴
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展会介绍

展览地址:北京市酒仙桥路4号798艺术区E06

参展人员:龚辰宇 季鑫 李平 李维伊 蒲英玮 钱佳华 宋朋 谭永勍 王茜瑶 王晓曲 夏禹 于霏霏 张季 郑子豪


展览介绍:

这个夏天,蜂巢(北京)当代艺术中心将以主展厅呈现由14位艺术家参展的Summer Fling,出神一瞥,永不落幕的夏天。在艺术里面的夏天永远只是华丽的背景,而夏日充满了一种让人浑身发痒的激动劲头,却又转瞬即逝般让人惆怅难忘,这或许就是为什么时常出神的一瞥却能够标注整个夏天,而那个夏天便能永恒地游荡在脑海中。那种夏天的留存就像是爱意在艺术当中的偶尔显露,如同爱意被传达与获取的不可控性,一切都取决于观众在展览中某个时刻的出神一瞥。本次展览由杨鉴策划,将于2019年8月18日推出,并展出至2019年9月18日。

或许爱意一旦在艺术品中做单独主题就会显得浅薄无力,这类题材也很少被作为至始至终的母题贯穿在一个艺术家的整条创作脉络之下,爱意也很难被有计划地生产,当然无论我们把它放到任何参考脉络都会牵扯出一个极其庞杂的线索。终究我们只能这样,艺术家探索他们热爱的东西,他们的爱,他们的未卜的前景。他们开垦着自己的内心和身体,但各异的主题,在那色彩刺激或单调的背景下,却发展得逐渐清晰可视,爱的概念被艺术家无数次的重构,主体性被不断的发明,他们在作品中的位置时常也不是置顶的而像是某种被覆盖了的绘画基底,即使是不可视的状态也深刻影响每一步的参考基数,明面上看有时候它是被去功能化的隐性存在。显性的爱在创作中也可能是利器,一切因素的搭建像是金字塔的除了塔尖之外的所有层,仅有划破天际的塔尖由爱构成。

爱是无法被物所证明的,证伪的方式也只能是观看后的无动于衷。本次展览作品从外在形式或内在牵引上都与某种爱意有所联系,展览倾向于观众找到一种“闲散者”的状态在漫步中用当代的眼光审视这个永恒的艺术素材,展览的每件作品允诺当中存有有爱意内容,但是拒绝保障这个内容被传达,就如同爱意被传达与获取的不可控性,留待观众在展览中某个时刻投出那出神的一瞥。

Hive Center for Contemporary Art (Beijing) is honored to pronounce that SUMMER FLING will be presented at the main hall from Aug. 18 to Sept. 18, 2019. Curated by Yang Jian, all the exhibits are related to some sort of love, a timeless theme in art at which audiences are expected to look from a contemporary perspective during a leisurely walk around. We can ensure the existence of contents about love in every work exhibited, but we refuse to guarantee that such contents will be successfully delivered because, considering the uncontrollability in delivering and attaining love, it all depends on some unexpected glimpse by any viewer during the exhibition.

Summer in art is always just a magnificent backdrop, but summertime is filled with a thrill that makes one itch, and, like instantly, it'd also fling you into an unforgettably melancholy mood. That, perhaps, is why an unexpected glimpse can always be a perfect label of an entire summer which, thanks to the glimpse, will be lingering in your mind for the rest of your life. Such retaining of summer is very similar to the occasional demonstration of affection in art, and this subject matter is rarely adopted by any artist as a permanent motif in art, but oftentimes it's delivered by potential affection through schemata and “material narration”, easily leaving one in tears, and yet it's more than that: even though most such sparkles fail to inherit the essence of the entire era or to remind one of the whole picture of the era, such a glimpse can be associated with the romanticism in Victor Hugo's writings, the resistance about love in George Orwell's 1984, Beuys' Rose for Direct Democracy in 1972 and the various conceptions proposed by Antonio Negri. None of these, however, can be attained at one stroke but are only possible after a good many such glimpses.

It seems to me that love, once serving as the sole theme for any work of art, will turn out to be shallow and feeble. Whatever the context, we can always find it entangled in an extremely intricate clue, and, as we know, any planned production of it can be really tricky, so it can only be touching as a potential factor of something, which also has to survive the pressure from various other factors, external forces and objective conditions before truly affectionate shapes come into being, and such shapes may be the very type that is accurate and penetrating. That's all we can do after all. Artists are explorers of the things they're keen on, their love and their unforeseeable future. They cultivate themselves both mentally and physically, but their themes, diversified though, grow more and more visible against backdrops of either intense or simple colors. The concept of love has been reconstructed by artists millions of times and its subjectivity also constantly innovated, but, even though they are usually invisible like some covered base of a painting or sometimes defunctionalized, they still influence the parameters for every step. Explicit love can also be a pointed tool in art-making, just like the tip of a pyramid, the part that pierces into the sky, instead of the other layers below built on all factors but love.

上一篇展览:“暗星”曾志钦个展

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