里卡多·罗塞蒂，他醉心于构建自我的世界。

他并不是对那些划时代的事物——意大利文艺复兴、法兰德斯油画或是现代表现主义置若罔闻。

他只是重新搭配调整这些资源，将它们通过自己独有的混沌棱镜，将棱镜滤出的光投射到赤裸裸的当代世界。

里卡多·罗塞蒂认为，现实不能因为虚假和欺骗而丧失了原本的模样。一件艺术作品，应当像祭祀仪式，像影响广大的教规，而不是一堆感觉元素的堆砌，平凡而普遍。

尽管都是从简单的元素中获得自己的名字，但是艺术具有化学或应用物理所不具备的特性。艺术为简单的元素赋予形式，在原来物体的实际意义之上，。

这正是罗塞蒂的世界观基石。世界由悬疑构成，在深深错愕的氛围中时间超越了空间；而心灵的自我从每日的无聊繁琐中释放，在灵魂中寻觅依靠。

 

梦幻现实主义

我所表达的既不是某种进入割裂的精神领域的逃避，也不是不可理喻的冷漠之物。我们讨论某种净化的需求，一种对于空虚世界的痛苦呼唤，这个世界让沉睡的见证人——包括演员和观众感到难受。

换句话说，正如德国哲学家莱布尼兹《单子论》所言，单子只有孤立在空间里才是精神性的。在树状结构以及人体中，器官被流动而不连续的空间分开。有评论家将此定义为“梦幻现实主义”。

 

第四维度

谈到作画技巧，里卡多·罗塞蒂对于多种技巧均得心应手，但是他特别钟情于油画，他在油画中表现出了犹如真实雕塑的三维属性。

但是，在或粗燥或平滑的平面上绘画时，他真正的瞄准的实际上是感觉和思维的神秘领域。这就是第四维。他的目标是伦理和美学的“终点”，使得生活可以为人承受。里卡多·罗塞蒂的讯息存在于人类永不停息的沟通中，而不是拘泥于强烈的孤独中。

 

1971年2月23日，里卡多·罗塞蒂出生于罗马的一个艺术家庭，很小的时候他就开始在其父亲马克·罗塞蒂的工作室里学习油画。高中毕业后他进入罗马艺术大学深造，并曾在突尼斯和法国工作数年。在挪威的Nerdrum工作室，他拓展了自己的油画知识技巧。在1999年的一次艺术大赛中获胜之后，他为意大利国家公务人员养老局的总部创作了油画《夜晚风情》（尺寸6.4*3.7米）。

 

个人展览

1995——突尼斯 la marsa  亚瑟画廊

1996——突尼斯 hammanmet 弗朗画廊

2000——罗马 原始画廊

2002——罗马 飞鸟画廊

2004——荷兰阿姆斯特丹 法乌博格画廊

 

联合展览

1996——突尼斯 西迪布塞伊德博物馆

2001 - Oraziana 2001, Oraziano 博物馆–奥索尼宫殿, Licenza, 罗马

2003——荷兰 阿姆斯特丹 法乌博格画廊

2006——罗马 朱莉娅山谷埃特鲁斯科国家博物馆

2006——挪威 斯塔维恩 Kitsch annualen,

 

Riccardo Rossati Biography.

Born on 23 february 1971 in Rome, from artist family  , he start very young with oil painting in the studio of the father. After classic high school he attended Fine Arts academy: He worked for several years in Tunisia and in France. He deepened his knowledge of painting with stages in Nerdrum studio in Norway.His works have been exposed in most important Museums of Italy  like  archaeological Museum of Palestrina ; and the Etruscan Museum of Villa Giulia in Rome After winning an art contest in 1999, he produced the painting "Evening landscape" m. 6,40 x 3,70 for the INPDAP head office (EUR - Tre Fontane) .

 

* Personal exhibitions

1995 - Arthe Gallery La Marsa, Tunisia

1996 - Funum Gallery, Hammamet, Tunisia

2000 - Il Selvaggio Gallery, Rome

2002 - Galleria Impronta degli uccelli, Roma, Italy

2004 - Galerie Faubourg, Holland, Amsterdam

2006 - Maison d'Italie , Paris , France

2008 - Spazio Tadini   , Milan , Italy

 

 

* Group exhibitions

1996 - Sidi Bou Said Museum, Tunisia

1996 - Essadi Gallery, Cartage, Tunisia

1999 - Civica Gallery di Enna , Italy

1999 - Kiron Gallery, Paris , France

2001 - Signs of Peace, Palestrina National Archeological Museum, RomE , Italy

2001 - Oraziana 2001, Oraziano Museum - Palazzo Orsini, Licenza, Rome ,Italy

2003 - Galerie Faubourg, Holland, Amsterdam

2006 - Museo Nazionale Etrusco di Villa Giulia, Rome , Italy

2006 - Kitsch annualen, Stavern - Norway

2008 – Migrazioni Mediterraneee – galleria Koiné Scicli Italy

 

THE OBSCURE PRISM
Born in Rome, Italy, of well known and appreciated artists, Riccardo Rossati is nevertheless a self founder.
Not that he doesn't hold in due consideration his landmarks, the great Italian Renaissance, the Flamish painting or modern expressionism.
He just blends and remodels these sources ,filtering them through his obscure prism and projecting its beams on a barely ,contemporary world.
According to Riccardo Rossati , reality cannot be disfigured , on pain of forgery and imposture.
A work of art should remain a rite of consecration, an influential canon ,not just a heap of intuition elements,anything but universal.
Art goes beyond chemistry or applied physics as name parts from the simple thing, formalizes it and slip the self referring character of a pure fetish, the reduction of a thing to itself.
And this is what Rossati's vision is based on. A world made of suspension of events, still time flattened over space, in an atmosphere of deep astonishment ,as ego seeks refuge in soul and split from trivial daily trifles.

 

THE ONEIRIC REALISM.
The matter in hand is neither an ascetic retiring into a separate mental order nor unconsciusnedd, indifference.
We should rather talk of a purification nedd, a painfull evocation of the world nullity wich vomits
unaware witnesses both protagonists and spectators.
In other worths, Leibnitz's monads, arboreus and serial human kind , whose members appear separated by a flowing , discontinous space. some critics define all this "oneiric realism".

 

THE FOURTH DIMENSION.
As to his technique , Riccardo Rossati shows a wide variety of solutions but he definitely prefers oil on canvas , wich he needs to attain the tridiensionality of a virtual sculpture.
But what he really aims at is the secret sphere of feelings and thoughts diggins through his now rugged now smooth surfaces. It's the fourth dimension. His purpose is both an ethic and aesthetic "telos" destined to make life more bearable.Instead of sticking of fierce loneliness, Riccardo Rossati's message keeps dominated by an unappeasable need of human interlocution. Elio Del Giudice Pellegrini