展览城市： 北京 - 北京
策 展 人： 孙士娴
展览时间： 2010-12-05～2011-02-05
开幕酒会： 2010-12-05 16:00
展览地点： XI艺术机构 
备　　注： 地点：XI艺术机构、798创意广场
电话：86 1059781341  
       

         2010年12月5日下午四点，“时间的边界—尚一心、李可政联展”将在XI艺术机构开幕。

     20世纪80年代至今的中国社会,处于经济飞速发展、信息爆炸、快速城市化进程的 时代背景下。这个时代环境中的艺术家,大多以横流的物欲和都市生活为题材,关注城 市发展过程中个体与社会的关系的变化和所带来的问题,或以个人的童年记忆作为创 作的内容。出生在80年代的艺术家与60、70年代的艺术家相比更多的是以自我为主要对 象,更注重个人体验的表达。李可政和尚一心的绘画则仿佛脱离了对现实的描绘或对现 实再现的描绘,是基于一种美学叙事上的对自己精神世界的不断探索,日常的生活体验 是作品不可分割的一部分,作品是日常生活情感的融入而并非孤立的物质形式,从而去 追求精神的无限延伸。

     尚一心是从图像符号化的绘画转向了现在的“抽象”绘画,由对外界的关注转向了 对自我内心的探索。“光”与“影”同时存在却互相矛盾,在“光”中存在可见性,完 全黑暗的“影”中视觉却无法到达,“光”与“影”构成了“有”与“无”的哲学思辨 性问题。这个灵感是受到一个关于雷电的小故事的启发,天空中闪过的雷电吸引了反应 快的人的目光,却使反应迟钝的人找到了迷途的出路。尚一心的“光”系列绘画也是基 于个人体验,在与自身的交流中以“抽象”为绘画的语言,也是自我精神世界的不断探 索。而尚一心近期的作品中,用画面的肌理、质感和明暗造成视觉上的空间感,试图让 观众进入到艺术家所营造的空间中去感受一个理想中的世界。

     李可政的绘画起源于他在学校里一个色彩课程,研究色彩的关系而形成色彩变化, 这也是李可政现在绘画的一个方向。在看似统一的的画面上,他用差异甚微的不同颜色 置于同一背景中或用同一颜色放在不同的颜色中,从而把握色彩关系给人的视觉所带来 的微妙变化,不同色块组成的几何图形占据画面的中心,整个画面给人一种无限宁静的 力量。李可政并不去描绘、批判现实,而是从自身出发,在绘画中追求自省和精神的延 续。而李可政的绘画并非是形而上的形式和线条,在色彩的反复试验和绘画的过程中, 艺术家也是在与作品进行交流,这同时也赋予了艺术家本身内心的无限平静。

    李可政和尚一心的绘画本身也是一种姿态,是面对现实和环境的自我态度。他们把 自己的个人体验交融在艺术创作中,不断的在与自身与作品与物的交流中追求着空间和 时间上的无限性。

    在他们的绘画中,没有时间的边界,没有空间的维度,有的只是不受限制的时空交 错中的思想世界。无限的宁静与无尽的虚无同时存在,诱惑前往那永远未知的边界......

Shang Yixin and Li Kezheng are both artists born in the 80’s. This generation has experienced China’s rapid economic growth, information overload and urbanization. Most artists of this generation execute works related to materialism and city life. Some of them represent their memory and childhood in their works. Compared with the artists of the 60’s and 70’s, they tend to focus more on personal experience. Li Kezheng and Shang Yixin’s paintings are completely disengaged from reality. Their works have been created totally based on their own aesthetic perspective and their exploration of spiritual world, life experience is indispensable to their paintings. They integrate their true feelings into their works, seeking the unlimited continuation of spirit.

Shang Yixin has switched from iconic painting to abstract painting and his focus has changed from outside world to his own spiritual world. Light and shadow coexist and pose a philosophical question regarding existence and non-existence.His idea about light and shadow has been inspired by lightning, an attractive natural phenomenon. His Light series has been based on his personal experience and reflects his exploration of his spiritual world. His recent works take advantage of special textures and visual effects to create three-dimensional space, taking the audience into an ideal world.

Li Kezheng’s painting originates from a color course in school. He has been focusing on the research of diversification and variation of colors. He subtly immerses different colors into a single background and the same color into different backgrounds. He dexterously takes advantage of color changes to create visual impact and bring the audience a great sense of inner peace. Li Kezheng never depicts or criticizes reality. He always seeks reflection and spiritual continuation and his paintings have transcended forms. By interacting with his own works, he has gained unlimited inner peace as well.

Shang Yixin and Li Kezheng’s paintings reflect their attitude towards reality and the environment. They integrate their experience into their works and constantly seek the infinity of space and time by interacting with paintings.

In their world of painting, there is neither boundary of time nor dimension of space. Theirs is a spiritual world unbound by time or space. Infinite peace and unlimited void coexist in their world to tempt people to explore the unknown.
 

XI藝術機構
北京市朝阳区酒仙桥路2号798艺术区创意广场西北角B04
XI Concept, B04,798 Art Area(798 Western Street), No.2 Jiuxianqiao Road, Chaoyang District, Beijing
T. 86 10 5978 1341