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芳华•红颜——朱德群石版画•胡小军陶艺联合展览
芳华•红颜——朱德群石版画•胡小军陶艺联合展览
展览时间:2008/5/24-2008/6/27
展览城市:上海-上海
展览地点:
策展人:
主办单位:圆缘艺术基金会/上海圆缘版画馆
协办单位:杭州霍克艺术
查看所有大图

展会介绍

开幕酒会:2008年5月24日15:00
地    点:上海市普陀区莫干山路91号
联系方式:021-62999525
展览主题:          芳华·红颜
              ——朱德群石版画·胡小军陶艺联合展览
    圆缘艺术基金会上海版画馆在成立首展《世纪印痕》展览之后,隆重推出朱德群的石版画和胡小军的陶艺作品联合展览,该展览集合本馆奉若镇馆之宝的朱德群石版画15幅,和胡小军最新转型后首展陶艺新作作品35件,本馆以十二分荣幸将这些艺术珍品共同呈现给初夏的上海艺术界。我们希望观众能和我们一起,深味两种作品中有关红颜芳华的隽永意味,感受不同作品一同带来的独特文化魅力。
朱德群的石版画,是一场芳华盛典。
那些明丽华贵的色彩,风灵水动,优雅流畅,艳光四射,令人目眩神怡。他用美丽而抽象的形式,以自己独特的方式,再现自然界里的透明的空气、清凉的水气、游移的风、急速的湍流与初降的瑞雪……所有的作品是一片生成于自然的色彩和形式的领域,思绪和不可预见的灵感在这些版画作品中自由驰骋。那些色彩在腐蚀的石版上自然流淌,形成的石版画华贵的令人目眩神迷,那是被抽象和再现的繁华世界,是关于自然的最美最极致的呈现,是关于我们所见的,一场芳华盛典。
  胡小军的此次参展的陶瓷作品,主要以人物为主,表现时尚都市上海生活中行乐和享乐的女人。这些,是永恒的红颜,和关于她们一段一段娓娓道来的老故事。在陶瓷里面,恍如遇见昨日尘世的小女子,我们以一种近乎冷漠的冷静的旁观她们的独乐、欢愉,暗自品评她们的丽人霓裳,都市情怀……而她们禁锢在那冰冷的陶瓷世界里面怡然自得,对我们坦诚的近乎赤裸,却与我们相安无事,各自无关。或者她们也在以超脱的目光,穿透釉面的色彩,冷冷打量我们的执迷忙乱,感怀人世沧桑?
她们,是不会老去的红颜,她们故事,记在了稳固的釉面里面了,稳妥,安然,可以,好好珍藏。
而石版画和陶艺的共同结合的这次展览,朱德群的石版画,将自然抽象成绚丽缤纷流光溢彩的芳华世界,而胡小军的陶艺,则将人文抽象成美丽红颜的众生百态,结合石版画的华丽与陶瓷的古拙,和两位艺术家在各自领域的艺术成就,这必将是一次值得期待的视觉艺术展览。
 
A colorful world· A pretty face
      Chu Teh-chun's Lithograph and Hu Xiaojun's Ceramics Art Exhibition
 
Following the first exhibition-Century prints- at KWLF Original Gallery, let's welcome a great art show of Chu Teh-chun's Lithograph and Hu Xiaojun's ceramics art together in Shanghai, in the beautiful May. 15 pieces of Chu Teh-chun's Lithograph works, we cherished most and 35 ceramics by Hu Xiaojun are going to be exhibited this time.
It is special to have two different artists, different art styles exhibited together. We wish to offer you a fresh visual experience, a unique art feeling by the crisscrossing of different types of arts, but the most important, we wish our audiences could enjoy the same emotion of beauty, A pretty face ·A colorful world, expressed by the two artists though via distinct ways.
The lithograph of Chu Teh-chun, is a colorful worldwide ceremony.
The brightness and luxurious colors, sensitive drawing and graceful paintings, all dazzled us with pleased and happy.  beautiful but in an abstract style with the unique of his drawing to revive the fresh air and cleaning water, storm and torrent, spring flowers and winter snow...his prints are coming from the nature full filled with  original colors and fresh styles, the thoughts and inspirations spurt out without any restriction. The luxurious colorful prints took a form from the corroded slate shedding with colors. It’s more than an art print, but an abstract luxurious world on paper, an expression of the most beautiful nature. It is the most colorful art world of Chu.
On the other hand, the ceramics exhibited focuses on the fair women in shanghai. Hu tried to reflect women’s forever beauty, their joyance and pleasure old story in each ceramic work. We, the audience, look on those pretty faces, as if we met yesterday, experience their joyful and happiness, outside their breakable world with merciless and grim reality in our heart, however, they are still happy and pleased with themselves, frankly to face us but not related with the outside world. Or we may think that they are also look on us through the glazed porcelain, see through our confused and vicissitudes of life.
Women in ceramics, their beauty never go old, their stories record in the glazed porcelains, and such safe and sound for collection.
The union exhibiting of the two art style, Hu's ceramics and Chu's prints, reveal us the beauty of humanities and color of the nature in the same art language. No matter the pretty faces or the colorful nature, both of them achieve their success in different art field. Let's just look forward the coming of the exhibition.
 
 
创作自述     
文/胡小军
 
     我是一位值得“细细品味”,又必须让人们“留心、留情、留意”的艺术家。    
二十年前,由于喜欢桃红柳绿的西湖,从景德镇陶瓷学院毕业后,走进了浙江大学人文学院进一步研修和任教。一方水土养一方人,西湖风光激发了我的情怀,山水间清远、深秀、春晓、春深,春山的花雨、雨霁、夕阳以及烟雨等自然景观是我创作的灵感。此时期的创作,源于对西湖山水的情结,这份情融入了作品中。
2007年4月在上海美术馆举办的个展,是对前二十年创作的小结,是我艺术风格的分水岭。自去年以来,我的创作又进入了新的艺术风格时期,既是对文脉的延续,又接轨当代艺术,并形成了自身的独特美感类型。
上海滩,时尚都市生活,行乐和享乐的女人,是我喜欢演绎的主题,以釉料为作画色料,以瓷坯为作画媒材,延续人文之美,表现沪上生活。上海这座最具浪漫主义色彩的都市,在我的笔调中,既蕴涵着深厚的历史文化,更映射出当代人的情怀和审美倾向。
海上系列作品:寻梦、遗梦、隐梦、看月、烟月、春歌、秋色、梦影、魅影等,佳人成双入对,形象端庄高贵,或持扇或提鸟笼或品酒,无不令君子辗转反侧,梦寐以求。它们是老上海和新上海的梦境,是一个世纪以来穿越了记忆的画面,是浪漫主义的流露,是都市留痕。
 

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