在时代巨变的大背景下，每个人都会经历变化带来的不适。变化让人们受到威胁，失去归属感的人们恐慌、观望、迷失、寻找。

画家王家增的《工业日记》系列正是透过自身的成长背景----工厂，这个对他来说既熟悉又陌生的地方，以及他早期的工人经历，来传达自己的感触和认知。

在他的画中，人人依附于一个箱子，而飘渺的远处则存在着不可知的威胁。一方面，箱子是过去的余留；另一方面，它也是人们身体与精神的栖息之所，它象征着安全。同样，深蓝色的制服与干部帽也不过是个符号，昭示普通人的身份或有一点点怀旧的成分。画面中的工业形式只是一种视觉符号，只是一个引子，营造画家所喜欢的画面效果，颜色很少，灰调既印证了画家的成长经历，也是画家对工业城市永远抹不掉的记忆。

画家希望通过一系列的视觉形象幻化成一种无尽的感慨，有意识地传达自己对现实的观感，对生活的思考，对未来的期冀。

 

 

                                               格丰艺术机构    李 俊

Everyone has the maladjusted experience facing the huge time changes. Changes give people threat, panic, drift, maze and searching.

The series of “Industry Diary” described his experiences as a worker. Wang wants to convey his feelings and awareness through painting his background—factory, a familiar and strange place.

In his paintings, everyone attached to a box, and there is an unknown threat at somewhere. On the one hand, the box represents past, on the other hand, the box is a place people’s body and spirit can stay, which also is a symbol of safety. Similarly, the dark blue uniforms and caps also are symbol, which shows the identity of the ordinary people or a little bit of nostalgia. The industry is a kind of visual symbol, which can build a kind of screen feeling. That Wang Jiazeng used a kind of gray-color on canvas represents his growing experiences and the indelible memories of industry city.

Through a series of visual images, artist wants to express his endless emotion, his impression for reality, his thinking of life and an expectation of future.

Written by Li Jun