我要展览
艺·境
艺·境
展览时间:2011/4/2-2011/5/25
展览城市:北京
展览地点:
策展人:陈玹镁博士
主办单位:艺美画廊
协办单位:
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展会介绍

展览题目:        艺·境
 Exhibition title:    ARTMIA Living
主办方:          艺美画廊
   Venue:           ARTMIA Gallery
开幕式:       2011年4月2日 下午3:00-5:00
    Opening:        April.2nd.2011,3-5 pm
展期:     2011年4月2日至5月25日,艺美画廊
   Exhibition Dates:  April.2—May.25, 2011, ARTMIA Gallery
总策展人:       陈玹镁 博士
   Chief Curator:    Dr.Mia Jin
策展人:         Silvia Minciarelli  (室内设计师,思佩思(北京)室内设计咨询有限公司总裁和创始人)
               宋涛(中国艺术家具)
   Curator:          Silvia Minciarelli  (Interior Designer, Director and Founder of SPACES Interior Design)
                     Song Tao (Chinese Art Design)                    
合作设计公司: Domus家天地,跨界家居,丰进设计,思佩思(北京)室内设计咨询有限公司,自造社
 Cooperative design companies: Cross Over, Domus Tiandi,  Poongjin Design Group, SPACES Interior Design, Zizaoshe
 
战略媒体合作:芭莎艺术,艺术财经,Timeout北京
   Media Partners: Bazaar Art ,Art Value, Timeout Beijing

支持:文化地标,艺美基金会,招商银行私人银行,中艺博国际画廊博览会 
   Supporters: ARTMIA Foundation, China Merchants Bank Private Banking, CIGE Art Fair, Culture Landmark Investment Limited

参展中韩日艺术家:
村上隆,丁乙,金昌烈,李艺嘉, 罗伯特印第安纳, 桑久保徹, 松蒲浩之,宋易格,杨泳梁,曾梵志,展望,张英楠,张诠,郑光永,郑相和,郑在东
Participating Chinese, Korean, and Japanese Artists:
CHUN Kwangyoung, CHUNG Sanghwa ,DING Yi, INDIANA  Robert,  KIM Tschang-Yeul, KUWAKUBO Toru, LI Yijia , MATSUURA Hiroyuki , MURAKAMI Takashi, SONG Yige, YANG Yongliang, ZENG Fanzhi,    ZHAN Wang, ZHANG Quan, ZHANG Yingnan, ZHENG Zaidong

 
2011年4月2日,艺美画廊十分高兴举办“艺境-----当代艺术与空间展”。对于我们来说,这个展览具有十分重要的意义,她是艺美画廊今后重要推动方向之一。艺美在以前,也和其它画廊一样,所策划的展览主要针对的是小众群体,包括艺术家、收藏家和其它参与者都是如此,有只可远观而不可亵玩的意味。但有鉴于社会经济的飞速发展,文明的进步,大众群体对艺术的需求日益强烈,以及艺术本身走向生活、环境的大趋势,艺美也在寻求改变中。我们希望能够通过本次展览,开通为社会大众服务的渠道;同时,也为合作已久的小众群体拓展出更为广阔的作为空间和市场空间。我们最终目的是让艺术走入生活,在我们的生活、办公空间里,享受到艺术品带来的愉悦感。

艺术品走入现实生活的发展趋势早已不是新鲜事。简单的库存收藏、以投资保价、彰显品位为目的艺术品市场毕竟只针对小部分群体。对于大众来说,这些象牙塔中的小众艺术太过遥远,而承载我们衣食住行的生活空间,才是最需要艺术来引导与指导的。在这里,艺美画廊相信自己有责任,也有能力,去帮助人们解决艺术品与生活空间相结合的问题,提高人们的审美修养;并且,通过这种方式,帮助艺术家们开辟更加广阔的市场,提供更为丰富的社会角色;更为重要的是,挖掘艺术品本身更加丰富的功能和魅力。我们需要重新平衡艺术发展中的各大要素,让更多的人享之于艺,受之于艺。

作为每一个独一无二的社会人,我们都和睿智的艺术家一样,有独特的品位、审美和兴趣爱好,有自己偏爱的形状、色彩和质地。残酷的是在我们的成长道路中,创造的天性逐渐被从众心理消减,我们不再用艺术的眼光欣赏生活,也没有想过:生活的空间可以因为自己的美好而独特。这次展览的主要目的之一就是通过观众对艺境的切身体验,鼓励和启发观众积极创造。因此,对于高品味审美眼光的培养必须从环境艺术创作开始,我们将从中获得以本体为中心的充分的艺境体验。作为艺术与大众关系的桥梁,艺美画廊的任务则是通过艺境营造,使艺术与环境和谐共融,以达成对观众审美方式、审美情趣、生活品质的反省和提高。同时,也希望寓教于艺,通过对环境空间的美化,从而丰富社会的美育和寓美的功能。

中国美学中,有一个著名的论题由王昌龄《诗格》提出-------“处身于境,视境于心,莹然掌中,了然境象”。只有通过这种方式,我们方可得欣赏之妙趣、艺术生活之真味。


Press release
ARTMIA Gallery is more than pleased to host the “ARTMIA Living: Contemporary Art and Space Exhibition” in April 2nd, 2011. This exhibition, which is of great importance to us, will direct ARTMIA Gallery’s promotion work in the future. In the past, ARTMIA, the same as other galleries, planned exhibitions targeted mainly at a small minority, including artists, collectors and other participants, which is somewhat unapproachable for the average. However, given the rapid economic development and great progress of civilization, the masses have an increasingly strong demand for art, and in turn art itself is getting closer to life while ARTMIA is also seeking changes. We hope this exhibition will facilitate channels to serve the public, and meanwhile open up more development space and market space for our minority long-time partners. It is our ultimate aim to incorporate art with life, and enable people to enjoy the pleasure brought by artworks in our lives and offices.

It is not a newly trend for artworks to integrate into real life. After all, featured by simple stock collection insured for investment, the art market aimed at highlighting quality and taste only caters to a small minority. For the public, the minority art in the ivory tower is too distant away, while what in the most urgent need of art to direct and guide is the living space carrying our basic necessities of life. ARTMIA Gallery believes in her responsibility and capability to help people incorporate artworks with living space in order to improve people’s aesthetic cultivation, and in this way to help artists open up a broader market, providing them with more extensive social roles, and more importantly, to tap the richer function and charm of artworks themselves. It is necessary for us to retrieve a balance among various major elements in the artistic development, so that more and more people will enjoy art and benefit from art.

As a unique member in the society, each of us resembles a wise artist with exceptional aesthetic taste and interest, as well as favorite shape, color and texture. The cruel truth lies along the path of our growth; the nature of creation has been gradually undermined by group psychology. As a result, we no longer enjoy life from an artistic perspective, and it never occurs to us that living space can be unique because of our own beauty. One of the main purposes of this exhibition is to encourage and inspire the audience to embark on an active creation based upon personal experience of ARTMIA Living. Therefore, the cultivation of decent aesthetic taste must begin from the creation of environmental art, in which we will obtain abundant experience of ARTMIA Living centered on noumenon. Serving as a bridge between art and the public, ARTMIA Gallery has a mission to combine art and environment in a harmonious manner by creating ARTMIA Living in order to prompt the audience to reflect on and improve their aesthetic style, aesthetic taste and life quality. Meanwhile, we hope to incorporate education with art, thus enriching the aesthetic and educational function of the society through the beautification of environment and space.

In Chinese aesthetics, there exists a well-known thesis issued by Wang Changling in his poem Shige (poetic style): “Internalize the environment where you are, so that you will understand the environment keenly and achieve a harmonious unity with nature.” Only in this way, can we appreciate artistic wonders and the genuine meaning of artistic life.

 

 

 艺·境   ARTMIA Living 
什么是艺境 2
一、“艺·境”首展,ARTMIA Gallery 4
 “艺·境”展览前言 5
 “艺·境”展览文章 6
 新闻稿 Press Release 8
1、展览信息 11
2、主办方简介:艺美画廊 12
3、展览形式: 12
二、“艺·境” 体验场: 16
1、 CIGE艺术博览会VIP Room,4月21日-4月25日,北京国贸1层 16
2、银泰中心,4月15日 – 5月15日,北京银泰中心1层至3层 16
3、华茂中心(拟定),5月 16
4、招行银行私人银行中心(拟定),5月 16
三、“艺·境”活动 16
四、“艺·境”艺术与设计奖 17
五、宣传策划 17

 

 

艺·境  ARTMIA Living
一.什么是艺境
艺境,简单地理解就是艺术环境和艺术境界。艺境由创作艺境和欣赏艺境构成。我们这里所说的艺境专指欣赏艺境。
艺境所要突出的思想是艺术与环境的和谐性,通过艺境营造,达成人的审美方式,审美情趣,生活品质的提升,同时丰富社会的美育和寓美功能。
艺·境,重在强调艺术在环境中的核心地位和主线功能,和环境对于意境形成的作用。二者不可偏废。

艺·境展的出发点
艺术品越来越广泛地进入人们现实生活已成为趋势,但简单的库存收藏,以盈利为目的的交易,显示财力和品味的张挂等方式,已不能满足人们的要求。
艺术欣赏生活态,日常生活艺术化需要专业引导与指导。
艺美有责任并有能力帮助人们解决艺术品与生活空间的结合,与和谐问题,帮助艺术家开辟更广阔的市场和社会角色,社会价值体现,开发艺术品更丰富的功能和魅力。

让我们成为自己生活的艺术家,我们需要创作。
艺术家创作艺术品,我们可以创作生活。
艺术家创作完成艺术品,就艺术家而言,他的活动已经结束,而艺术品的生命和价值实现却要在欣赏中开始。传统的欣赏方式,既局限了艺术品的社会价值和商业价值,也局限了欣赏者本身的主体意识。因为我们顽固地被艺术家的风格所吸引,顽固地被艺术品的境象控制,从而忽略了自己的风格,并在不知不觉中赋予了艺术品孤立性,排斥性。
艺术品的魅力与价值实现,只有将创作和欣赏两方面结合才得以完成。从艺术欣赏生活态的角度看,高品味的欣赏必须由环境艺术创作开始,也就是由艺境开始,我们将获得以本体为中心的意境。“处身于境,视境于心,莹然掌中,了然境象”(王昌龄《诗格》),方可得欣赏之妙趣,艺术之生活真味。如果进行艺境创作,艺美在探索。艺境展便是探索的一部分。

艺美是大众的
今天以前,艺美与其他画廊一样,是为小众群体服务的,他们包括艺术家,藏家和其他鉴赏者。我们的服务充其量只是一个经纪,主要是为小众群体服务,因此严重缺乏创造性。有鉴于此,艺美在寻求改变。
首先,我们要立足于为社会,为大众服务;其次,通过环境艺术设计开通社会,大众服务渠道;第三,为传统服务的小众群体拓展出广大的作为空间和市场空间。
艺境展也是一次艺美观念展,我们要表达的是,艺美与大家一通追求自然美,生活美,艺术美三方面的和谐统一。

ARTMIA Living
I. What is ARTMIA Living?
ARTMIA Living, in a simple sense, is artistic environment and artistic ambit. ARTMIA Living consists of the ARTMIA Living of creation and that of appreciation. The ARTMIA Living we are discussing here specifically refers to the ARTMIA Living of appreciation.
ARTMIA Living is aimed at highlighting the harmony between art and environment, so as to improve people’s aesthetic style, aesthetic taste and life quality through the creation of ARTMIA Living while enriching the aesthetic and educational function of the society.
ARTMIA Living attaches great importance to the essential role and central function of art in environment, and the role of environment in the formation of ARTMIA Living. None of the two aspects can be neglected.

II. The Origin for the ARTMIA Living Exhibition
1. It has been a trend for artworks to integrate into people’s real life at a growingly extensive scale. However, the conventions featured by simple stock collection for the purpose of profitable trading in order to show off wealth and taste no long meet people’s requirements.
2. Artistic appreciation should be incorporated into daily life, which calls for professional direction and guidance.
3. ARTMIA has the responsibility and capability to help people incorporate artworks with living space in a harmonious manner, help artists to open up a broader market with more extensive social roles and values, and tap the richer function and charm of artworks.

III. Let’s Become Artists of Our Own Lives. Creation, we need!
Artists create artworks, while we can create life.
When an artist completes a piece of artwork, his activity has come to an end, but the fulfillment of the life value of the artwork just begins. Traditional ways of appreciation not only limit the social and commercial value of artworks, but also confine the viewers’ own consciousness. We ignore our own style and endow the artworks with isolation and exclusion unconsciously as we are stiffly attracted by an artist’s style and controlled by the image of the artworks.
Only by combing creation and appreciation can the charm and value of art be realized. As artistic appreciation should be incorporated into daily life, high-quality appreciation must start from the creation of environmental art, namely from the ARTMIA Living, so that we will reach the ARTMIA Living centered on noumenon. “Internalize the environment where you are, so that you will understand the environment keenly and achieve a harmonious unity with nature.” (From Wang Changling’s Shi Ge (poetic style)) Only in this way, can we appreciate artistic wonders and the genuine meaning of artistic life. ARTMIA is exploring how to conduct the creation of ARTMIA Living, and the exhibition is part of the exploration.

IV. ARTMIA is serving the Masses
In the past, ARTMIA, the same as other galleries, mainly served a small minority including artists, collectors and other connoisseurs. Acting like a broker, we focused on minority with a severe lack of creativity. Given this, ARTMIA is seeking changes.
First, we should base ourselves on providing service to the society and the masses; second, channels should be facilitated to serve the society and the public though environmental artistic design; third, we should open up more development space and market space for our minority long-time partners.
The ARTMIA Living Exhibition also represents a concept exhibition of ARTMIA, in which we want to express ARTMIA’s perpetual pursuit of harmony in the beauty of nature, life and art, with your accompany.

 

 

 

 


一、“艺·境”首展,ARTMIA Gallery
“艺·境”展览前言 
面对机械智能化的今天,我们的生活节奏紧张而又快速。古人诗中“孤舟蓑笠翁,独钓寒江雪”的悠然、自我的和谐境界,恐怕是离我们十分遥远了。我们关注物质,而少于关注生活;我们追求品位,而未必懂得如何去欣赏;我们崇拜艺术,而只把她作为身份地位的符号。最残酷的是:我们每天在生活,而生活地并不够美好。

一屋不扫何以扫天下?已经每日承受众多的平凡和机械,还能让生活继续苍白下去吗?艺美画廊希望通过本次展览,让观众体会到艺术家眼中各种美好的“艺境”。以此相告:环境艺术美化的不仅仅是外在的空间、建筑,更是通过人们对美的感受,来唤起内心深处对生活的热爱,对美好生命品质的回归。

Introduction to the “ ARTMIA Living” Exhibition
Surrounded by numerous intellectual machines, we are living our lives at an increasingly hectic tempo today. There is an ancient Chinese poem unveiling a leisurely and harmonious picture: “an old man in his straw cape and hat sitting in a single boat, alone in the snow, fishing in the freezing and snowy river.” It seems like a Utopia so distant away from real life. Today, we are obsessed with material achievement, with little concerned for life; we are in endless pursuit of high quality, but with no idea how to appreciate it; we cherish deep respect to art, but only regard it as a symbol of social status. The most brutal truth lies in the fact that we are living our lives daily, but not nicely.

As an old Chinese saying goes, how can one be ambitious and capable of sweeping to victory if he even does not bother to sweep his own room? Having been exposed to endless mechanized arrangements every day, how can we continue to bear such a tasteless and monotonous life? ARTMIA Gallery hopes that by visiting this exhibition audience can have a unique experience in appreciating a variety of wonderful “ARTMIA Living” seen from the eyes of the artists. A message is conveyed by the exhibition: not only does the environmental art beautify external space and architecture, but also the feeling of beauty will arouse people’s passion for life at the bottom of their heart, evoking a return to moral virtues as well.
 “艺·境”
文/ Silvia Minciarelli(室内设计师,思佩思(北京)室内设计咨询有限公司总裁和创始人)

得知艺美邀请我担任本次“艺境”展的策划时,我十分激动-----这是一个崭新的艺术展览理念,她将艺术从高阁中松绑,带入我们真实的生活中;敞开大门,让社会公众直接感知艺术;熟悉艺术的表达方式;不仅如此,“艺境”展更是将艺术品置于“空间”中来探讨,从视角中,从日常生活的点滴中,去品味她。

作为艺术展览空间,艺美画廊如一块天然自成的画布。我在里面用墙板隔开了一条流畅且变化丰富的通道,上面装饰了一系列拼接色块,用于提高亮度。在这里,我将艺术与设计融入在“生活”的概念中。我一直喜欢在各种各样的空间里,通过作品创作来诠释新的生活方式。不是为了表达而去表达,也不是刻意地为了创造新的生活方式而进行创造。庆幸的是,“艺境”展览给予了我一次机会,从艺术的角度出发,为富有想象力的观众们营造了一个可观可感的空间。在我眼中,艺术,就是是在你的情感被她的巨大魅力所激发出来时,应该被充分享受的。本次展览正如艺术品自身所呈现出的一样,她犹如一段乐章,将我们日常生活片段、图像、色彩、对象以及观念等组成富有节奏的旋律。

当我面对这些用于空间各位置,精心选择的当代艺术作品、设计家具、雕塑、陈设物品、以及装饰时,我都将它们作为富有生命的对象去解读。我根据各个单件作品的色质、造型、质地来进行具体设计,并对其进行分析和对比。在这个过程中,艺术品仅保留其文化价值而存在,或坦白地说,她仅作为一个图像符号而出现。就画廊空间而言,她要求多重的视角来介绍不同的作品,而每一件作品都要求既能够突出所属空间,又能够唤醒我们对自己日常生活某一片段的回顾。

我非常享受本次设计过程。并特别感谢艺美能给我自由的空间,让我从室内设计师的专业角度和经验出发,酝酿这一场“创作”对话。并且,我还要感谢我在思佩思室内设计咨询有限公司的出色团队,他们也是此次创作不可或缺的功臣。每个艺术家和设计师都背景迥异,有自己的视角和表达手段,而“艺·境” 展在这次跨界文化体验中提供了一个平台,安排他们在此“邂逅”。

 

 

 

 

ARTMIA Living
By Silvia Minciarelli (Interior Designer, Director and Founder of SPACES Interior Design)


When I was invited as the curator of “Art in Place”, I was very thrilled by its meaning. “ARTMAI Living” is a new concept of art exhibition, which makes art reaching towards life and allows the public to connect to art, to recognize it as a familiar expression, visualizing it “in place”, in perspective, in a daily moment of life.

ArtMia’s Gallery, as a natural backdrop for art, became a canvas for our scenery: I created an articulate and dynamic walls path, highlighted by a sequence of hues combinations, where I made art meeting design “in life”. What I like to do through my work is to create lifestyles, no matter what the space is: this is either the expression or the creation of a lifestyle. With “ARTMIA Living” I had the chance to envision imaginary lifestyles for imaginary users, and art was the inspiration. Art, in my opinion, is to be enjoyed when you feel its power to bring out emotions. This exhibition is a rhythm of life moments, images, colors, objects, perceptions, the same as what art gives and builds up.

Selected contemporary works encounter designed furniture, sculptures, objects and décor in various space angles, which I interpreted and designed like living settings. I have combined the pieces considering their color quality, their shapes, their textural nature and creating, with these, analogies or contrasts, considering art as intellectual value or, purely, as a graphic sign. The gallery space, then, acquires various points of view, introduces different “still lives”, where each piece highlights the space and evokes a moment of our daily life.

I enjoyed and I am thankful to ArtMia to allow my professional view and my experience, as Interior Designer, to ideate this dialogue of “creations”.  I’m also thankful to my wonderful team at SPACES Interiors who were an integral part of this creation.   “ARTMIA Living” translates, then, in a cross cultural experience, where artists “meet” designers, each of them coming from different backgrounds, and each of them carrying his visions and tools of expressions.

 

 

新闻稿 Press Release
2011年4月2日,艺美画廊十分高兴举办“艺境-----当代艺术与空间展”。对于我们来说,这个展览具有十分重要的意义,她是艺美画廊今后重要推动方向之一。艺美在以前,也和其它画廊一样,所策划的展览主要针对的是小众群体,包括艺术家、收藏家和其它参与者都是如此,有只可远观而不可亵玩的意味。但有鉴于社会经济的飞速发展,文明的进步,大众群体对艺术的需求日益强烈,以及艺术本身走向生活、环境的大趋势,艺美也在寻求改变中。我们希望能够通过本次展览,开通为社会大众服务的渠道;同时,也为合作已久的小众群体拓展出更为广阔的作为空间和市场空间。我们最终目的是让艺术走入生活,在我们的生活、办公空间里,享受到艺术品带来的愉悦感。

艺术品走入现实生活的发展趋势早已不是新鲜事。简单的库存收藏、以投资保价、彰显品位为目的艺术品市场毕竟只针对小部分群体。对于大众来说,这些象牙塔中的小众艺术太过遥远,而承载我们衣食住行的生活空间,才是最需要艺术来引导与指导的。在这里,艺美画廊相信自己有责任,也有能力,去帮助人们解决艺术品与生活空间相结合的问题,提高人们的审美修养;并且,通过这种方式,帮助艺术家们开辟更加广阔的市场,提供更为丰富的社会角色;更为重要的是,挖掘艺术品本身更加丰富的功能和魅力。我们需要重新平衡艺术发展中的各大要素,让更多的人享之于艺,受之于艺。

作为每一个独一无二的社会人,我们都和睿智的艺术家一样,有独特的品位、审美和兴趣爱好,有自己偏爱的形状、色彩和质地。残酷的是在我们的成长道路中,创造的天性逐渐被从众心理消减,我们不再用艺术的眼光欣赏生活,也没有想过:生活的空间可以因为自己的美好而独特。这次展览的主要目的之一就是通过观众对艺境的切身体验,鼓励和启发观众积极创造。因此,对于高品味审美眼光的培养必须从环境艺术创作开始,我们将从中获得以本体为中心的充分的艺境体验。作为艺术与大众关系的桥梁,艺美画廊的任务则是通过艺境营造,使艺术与环境和谐共融,以达成对观众审美方式、审美情趣、生活品质的反省和提高。同时,也希望寓教于艺,通过对环境空间的美化,从而丰富社会的美育和寓美的功能。

中国美学中,有一个著名的论题由王昌龄《诗格》提出-------“处身于境,视境于心,莹然掌中,了然境象”。只有通过这种方式,我们方可得欣赏之妙趣、艺术生活之真味。

 

Press release
ARTMIA Gallery is more than pleased to host the “ARTMIA Living: Contemporary Art and Space Exhibition” in April 2nd, 2011. This exhibition, which is of great importance to us, will direct ARTMIA Gallery’s promotion work in the future. In the past, ARTMIA, the same as other galleries, planned exhibitions targeted mainly at a small minority, including artists, collectors and other participants, which is somewhat unapproachable for the average. However, given the rapid economic development and great progress of civilization, the masses have an increasingly strong demand for art, and in turn art itself is getting closer to life while ARTMIA is also seeking changes. We hope this exhibition will facilitate channels to serve the public, and meanwhile open up more development space and market space for our minority long-time partners. It is our ultimate aim to incorporate art with life, and enable people to enjoy the pleasure brought by artworks in our lives and offices.

It is not a newly trend for artworks to integrate into real life. After all, featured by simple stock collection insured for investment, the art market aimed at highlighting quality and taste only caters to a small minority. For the public, the minority art in the ivory tower is too distant away, while what in the most urgent need of art to direct and guide is the living space carrying our basic necessities of life. ARTMIA Gallery believes in her responsibility and capability to help people incorporate artworks with living space in order to improve people’s aesthetic cultivation, and in this way to help artists open up a broader market, providing them with more extensive social roles, and more importantly, to tap the richer function and charm of artworks themselves. It is necessary for us to retrieve a balance among various major elements in the artistic development, so that more and more people will enjoy art and benefit from art.

As a unique member in the society, each of us resembles a wise artist with exceptional aesthetic taste and interest, as well as favorite shape, color and texture. The cruel truth lies along the path of our growth; the nature of creation has been gradually undermined by group psychology. As a result, we no longer enjoy life from an artistic perspective, and it never occurs to us that living space can be unique because of our own beauty. One of the main purposes of this exhibition is to encourage and inspire the audience to embark on an active creation based upon personal experience of ARTMIA Living. Therefore, the cultivation of decent aesthetic taste must begin from the creation of environmental art, in which we will obtain abundant experience of ARTMIA Living centered on noumenon. Serving as a bridge between art and the public, ARTMIA Gallery has a mission to combine art and environment in a harmonious manner by creating ARTMIA Living in order to prompt the audience to reflect on and improve their aesthetic style, aesthetic taste and life quality. Meanwhile, we hope to incorporate education with art, thus enriching the aesthetic and educational function of the society through the beautification of environment and space.

In Chinese aesthetics, there exists a well-known thesis issued by Wang Changling in his poem Shige (poetic style): “Internalize the environment where you are, so that you will understand the environment keenly and achieve a harmonious unity with nature.” Only in this way, can we appreciate artistic wonders and the genuine meaning of artistic life.

 

 

 

 

 

 

 

 

 

 

 

 

 

 


1、展览信息
展览题目:        艺·境
 Exhibition title:    ARTMIA Living
主办方:          艺美画廊
   Venue:           ARTMIA Gallery
时间与地点:     2011年4月2日至5月25日,艺美画廊
   Exhibition Dates:  April.2—May.25, 2011, ARTMIA Gallery
总策展人:       陈玹镁 博士
   Chief Curator:    Dr.Mia Jin
策展人:         Silvia Minciarelli  (室内设计师,思佩思(北京)室内设计咨询有限公司总裁和创始人)
               宋涛(中国艺术家具)
   Curator:          Silvia Minciarelli  (Interior Designer, Director and Founder of SPACES Interior Design)
                     Song Tao (Chinese Art Design)                    
合作设计公司: Domus家天地,跨界家居,丰进设计,思佩思(北京)室内设计咨询有限公司,自造社
 Cooperative design companies: Cross Over, Domus Tiandi,  Poongjin Design Group, SPACES Interior Design, Zizaoshe
 
战略媒体合作:芭莎艺术,艺术财经,Timeout北京
   Media Partners: Art Value, Bazaar Art, Timeout Beijing

支持:文化地标,艺美基金会,招商银行私人银行,中艺博国际画廊博览会 
   Supporters: ARTMIA Foundation, China Merchants Bank Private Banking, CIGE Art Fair, Culture Landmark Investment Limited

参展中韩日艺术家:
村上隆,丁乙,金昌烈,李艺嘉, 罗伯特印第安纳, 桑久保徹, 松蒲浩之,宋易格,杨泳梁,曾梵志,展望,张英楠,张诠,郑光永,郑相和,郑在东
Participating Chinese, Korean, and Japanese Artists:
CHUN Kwangyoung, CHUNG Sanghwa ,DING Yi, INDIANA  Robert,  KIM Tschang-Yeul, KUWAKUBO Toru, LI Yijia , MATSUURA Hiroyuki , MURAKAMI Takashi, SONG Yige, YANG Yongliang, ZENG Fanzhi,    ZHAN Wang, ZHANG Quan, ZHANG Yingnan, ZHENG Zaidong
2、主办方简介:艺美画廊
 遊於藝  據於德—<論語·述而>
艺美致力于通过艺术传达人生的美好,追求人类的博爱。
艺美专注于启动、展示和扶持国际亚洲当代艺术项目,在亚洲文化的优秀传统和具有当代意识的艺术创作之间搭起一座宽广的桥梁,为不同层面的观众们提供欣赏艺术的平台,以及扩展艺术资助者的网络资源。

艺美将通过艺术展览,艺术收藏家活动,环境艺术设计等多种形式,让艺术深入生活各个方面,激起人文情感的共鸣,唤发对美德的追求。

www.artmia.net 
3、展览形式:
--- 总策展人 陈玹镁


 
 艺美创始人、“艺·境”概念创始人陈玹镁博士毕业于韩国梨花女子大学,在北京大学取得比较文学博士学位。曾在北京大学、北京外国语大学任教。她与亚洲艺术机构韩国现代画廊合作在北京成立都亚特画廊,为其独立建立ARTMIA艺术机构奠定了基础。

多年来她凭借对艺术市场与艺术学术界的深刻洞察和丰富了解,在中国当代艺术文化领域建立了广泛和稳固的优秀声誉;并与国内外众多优秀策展人、资深评论家及艺术机构等建立了良好合作关系,与国内多位知名的艺术家长期密切合作。陈玹镁女士的资历和经验,将为“艺·境”概念传播和实现带来优异的艺术品质和广泛的社会资源。

---总览:
ARTMIA Gallery展览空间被分割成不同的独立空间。由陈玹镁博士做总策展人,整合艺术与设计资源,策展人Silvia作空间设计与家居设计的配合,体现不同的艺术风格。
该展览将引导观者开展艺术、空间、设计与生活方式的多样讨论。

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


二、“艺·境” 体验场:
ARTMIA 将根据不同的人文环境与场地情况,打造“艺·境”体验场,,邀请来宾参与艺术、设计、生活方式的讨论。

 CIGE艺术博览会VIP Room,4月21日-4月25日,北京国贸1层
 北京银泰中心,4月15日 – 5月15日,北京银泰中心1层至3层
 华茂中心(拟定),5月 下旬    
 招商银行私人银行中心(拟定),5月下旬

 

 

 

三、“艺·境”活动      
伴随以上每个展览与体验场的活动,ARTMIA将进行如下“艺·境”主题活动

形式:各类艺术、室内设计、建筑、生活方式、时尚主题的论坛、下午茶、音乐、放映、品酒会、晚宴等活动

四、“艺·境”艺术与设计奖
以“艺·境”为主题,分社艺术类与设计类两个领域的奖项。通过“艺·境”网站与合作媒体征集作品,由专业评委选出最终获奖者。
五、宣传策划

艺·境独立网站 信息更新中心
与各个合作方相互链接 
芭莎艺术 战略合作,深度合作
芭莎艺术艺美纸上艺术展“专栏”
“艺·境”同名别册(24页) 
艺术财经 战略合作,深度版面合作 
TimeOut北京 战略合作,深度版面合作 
其他媒体 新闻、专访、专题 以及其他形式的合作
如CASA居,ELLE Decoration家居廊,时尚芭莎,     中国文化报,周末画报,精品购物指南,新视线,        搜狐文化,新浪网,环球时报,北京商报,罗博报告,     空港时尚,CASA居,新周刊,SURFACE,新视觉,CIGE,99艺术网,雅昌艺术网,艺术国际,卓克艺术网等。。。 
六、赞助商回报
ARTMIA将根据不同赞助商的要求提供宣传、客户资源共享、活动等不同形式的回报方案。

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