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卓克艺术网>展览频道>北京季节画廊—万真宇个展《未来至上》
北京季节画廊—万真宇个展《未来至上》
北京季节画廊—万真宇个展《未来至上》
展览时间:2011/7/23-2011/9/11
展览城市:北京
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展会介绍

展览时间:2011年07月23日 – 2011年09月11日

开幕酒会:2011年7月23日 (周六) 下午三点至六点

ART SEASONS Beijing
798 Art District
No.2 Jiu Xian Qiao Road
Chaoyang District, Beijing
T +86(010) 5978 9850
F +86(010) 5978 9851
www.artseasonsgallery.com

        万真宇的作品充满着对未来的构想和解读,他让现实世界的各种人物和事件偶然相遇,形成一个陌生的感官世界,他的作品如同一个现实魔方将人引入各种不同的际遇猜想之中。

       “无意识创造”是万真宇作品的一个显著特点。他将写实的形象安排于超现实的空间之中,并置、叠加、穿插、旋转、交融……用一种抽象的方式将真实的图像消解重构,造成一种既熟悉又疏离的视觉感受。显然他不是刻意地要述说故事,可以说图像在他的作品之中并无实际的意义,现实世界的种种真实似乎只是一个诱因,激发出一种来自未来的气息。对于未来,人人都不确定,万真宇也是一样,所以他以一种无意识的方式来解答,现实的经验成为未来的载体,画面之中经验不分大小,和谐共生,呈现出一种至高的理想状态。这也正是万真宇内心的美好愿望。

        这种无意识的书写方式同时也折射出艺术家对现实的关照和怀疑的态度。丰富的事件在解构之后产生出的疏离感恰恰是艺术家对于现实的不确定性所造成的。他在勾勒一幅美景的同时,也给当下的我们留下了一系列追诉和疑问。

        Wan Zhenyu’s works are full of imagination and interpretation of the future. He arranges for all kinds of people and incidents from the real world to meet by accident, giving rise to a strange sensory world. The works of the artist resemble a magic cube bringing people into varied suppositions of fortunes.

       “Unconscious creation” is a notable feature of Wan Zhenyu’s works. The artist places realistic images into surreal spaces and through the artistic means of juxtaposition, superposition, interlacing, rotation and integration, to name a few, deciphers and deconstructs the authentic images in an abstract manner, resulting in a visual experience that is both familiar and alienated. Evidently, the artist does not intend to narrate stories; it may be suggested that images in his works do not convey any practical significance, and all the facts in the real world serve only as some kind of incentive, triggering a glint of the future. Nobody is sure of the future and Wan Zhenyu is no different.  It may be inferred that he is responding in an unconscious manner and using daily experience as a carrier of the future. The experiences depicted on the canvas differ not in significance but coexist in harmony, presenting a supreme state of ideals, which is exactly what the artist hopes for at the bottom of his heart.
 
        The unconscious manner of brush strokes also reflects the artist’s concern about and suspicion of reality. The sense of alienation that results from the decomposition of various incidents stems from the artist’s uncertainty of the reality. While giving shape to a picturesque scene, the artist leaves us a series of questions and doubts.
 

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