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朱新宇个展《琥珀》
朱新宇个展《琥珀》
展览时间:2011/11/19-2012/2/12
展览城市:北京
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展会介绍

       展览时间:2011.11.19—2012.02.12
       开幕酒会:2011.11.19, 3pm-6pm
       展览地点:北京季节画廊

       朱新宇出生于辽宁海城,毕业于鲁迅美术学院,东北是他出生、成长和求学的地方。不知是这里土地的广袤辽阔,还是因为作为曾经中国重工业的集聚地,这里遗留了太多工业文明的痕迹,朱新宇通常会对大自然场景或是陈旧的建筑空间充满兴趣。八零年出生的他,并没有经历过重大的社会事件,成长过程也算无忧,但视觉的经验依然把这样的元素带入了他的创作表达。在这个体系中,场景和空间只是视觉借用,情感的释放才是主线,他的作品看似平和、安静,实则是一个巨大的情感容器。

       朱新宇对艺术具有极强的敏感度。在他的创作中,无论是平常或是荒诞,都很难找到具体的观念和形式,却总是显现出一种说不清道不明的情感。他的创作通常是以一种很随意的方式开始,事先并没有一个明确的方式去知道最终的结果。整个过程当中,他完全按照一种及时的情感和记忆为自己铺路。从对某一时间点的观看开始,通过不断的穿越和重叠,进入某一个历史的或是记忆的甚至即时发生的空间,层层包裹的不确定场景却往往提示出一种窥视感,引人揣摩。他的作品有一种时空差距带来的吸引力,而这恰恰是思绪放任、跳跃的结果。

       Born in Haicheng, Liaoning Province, Zhu Xinyu graduated from Lu Xun Fine Arts Academy. Northeastern China is where he was born, raised and educated. There remain numerous traces of industrial civilization, perhaps because of the vast land mass the area contains or because it used to be the hub of heavy industry in China. Zhu Xinyu usually takes immense interest in nature and old building spaces. Born in 1980, he has never been through any significant social scenes and life has been carefree. However, his visual experience still brings such elements into his artistic expressions. In his artistic system, site and space are only visual adoptions while the release of emotions the main thread. Calm and tranquil on the surface, his works are in fact huge emotional receptacles.

       The artist is extremely sensitive to art. In his creations, be they mediocre or weird, concrete notions and styles are very hard to come by. Instead they always reveal some kind of indescribable emotions. His work generally begins in a very casual manner that defies prediction about its ultimate shape. Throughout the entire creative process, the artist makes his way in accordance with his spontaneous feelings and memories. Seen from a particular point in time, his works get into a historical, an anamnestic or a spontaneous space, through continuous traversing and superposition, embracing layer upon layer uncertain scenes and often hinting at a sense of prying about that invites conjecture. His work has an appeal that stems from time and space disparity, which is precisely the result of emotional indulgence and leap.

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