展览人：张晖 / 郭笋 / 刘晓辉 / 郝强 / 王顷 / 王乔
开幕时间:2012.3.10 -2012. 4.15（周二至周日 10点至18点  Tuesday to Sunday 10:00-18:00）
地点 Location:北京市朝阳区百子湾路32号苹果社区北区1号楼9# 东站画廊100022Eastation Gallery, 9#, 1st Building,Northern District, Pingod Community,No.32 Baiziwan Road, Chaoyang District,Beijing, P.R.China, 100022T: +86 10 5876 9741  F: +86 10 5826 3452www.eastationgallery.cominfo@eastationgallery.com
展览简介：

        历史上的第一张明信片诞生于1865 年，源于一位德国艺术家绘于硬卡纸上的一幅精美画作，至此以后，明信片作为一种具有图像力量的通邮方式而广为流行。通过万千的邮资图，人们记录了各式的心情、感悟、纪念和心愿，传递、分享与他人。时至今日，明信片俨然成了某种怀旧之物，但旧时的情感温度依然在一张张卡片中存留，而这个命名为“明信片”的展览，便是由这种追忆明信片的冲动而来。
久居纽约的张晖在作品中抒写着去国怀乡之情，身处异乡的人追忆着北京早春的融融惬意；并生发着对东方女性青涩、懵懂的幻觉。
郭笋以泼墨式的写意形态，挥洒出一份怀旧的童趣；冬雪初融的淋漓似乎奏出了融雪的声响。
刘晓辉用大众出版的连环画形式记录了具有自转体的私密生活，两条相悖的线索结合出一种独特的阅读经验。
性情孤寂的郝强于归隐一般的日常生活中描绘寻常的事物，静谧的寻常便生成一股浓浓的情绪，在连续的默默私语中伸展。
祖籍开封的王顷不断在作品中描绘家乡的景物，虽然只是生活中日夜流淌的河水与荒寂的道路，却在王顷笔下被填满了苦涩与厚重的诗意。
王乔的视野始终没有离开居家的范围，只是目之所及的一方小天地里，日常之物便被女性化不开的情愫描绘成了一首首小诗。

Postcard
The first postcard in history was born in 1865. It originated from a beautiful picture painted on thick paper by a German artist. Since then, postcards become widely popular as a postal way with image power. By postcards, people recorded various moods, thoughts, memories, and hopes, and then shared them with others. Up to now, postcards have become a wave of nostalgia, in which feelings for the past lingered on and on. It was due to the nostalgia of postcards that we staged the exhibition and named it “Postcard”.

Zhang Hui, who lives in New York for many years, expresses in his paintings his homesickness, the recollection of the harmonious early spring of Beijing, and at the same time the illusion about the innocence of oriental women.

Guo Sun, with splash-ink painting style, portrays the nostalgic childlike delight and the festivity of the melting snow.

Liu Xiaohui, with the style of cartoon strip, recorded an autobiographical private life. Two contradictory clues combine and form a kind of unique reading experience.

Hao Qiang, a man of few words, portrayed ordinary things in our daily life. The quiet ordinariness produces a deep emotion and it extends in an uninterrupted whisper.

Wang Qing, who is of Kaifeng ancestry, keeps portraying the scenes in his hometown. Although those are just flowing rivers and desolate roads in daily life, they are filled with bitterness and strong poetry in his paintings.

Wang Qiao’s field of vision never goes beyond her home. Ordinary things within the vision are turned into little poems by her with feminine moods.