学术主持：牟 群
Host：Mu Qun
艺术总监：陶泉杏 陈建强 刘 冬
Arts Director：Tao Quanxing Chen Jianqiang Liu Dong
展览助理：闫木子 曾宁宁 刘俊杰 伍鑫聆
Exhibition Assistant: Yan Muzi Zeng Ningning Liu Junjie Wu Xinling
开幕酒会：2008年5月1日早上10：00
Opening Party：10:00am,May 1st ,2008
展览时间：2008年5月1日—5月5日
Time：May 1st,2008—May 5th,2008
展览地址：柳州市博物馆
Site： Liuzhou Museum
展览主办：柳州市博物馆 桂林百越文化传播有限公司
Sponsor：Liuzhou Museum www.11186.cn
展览协办：广西油画学会 柳州美术家协会
Co-sponsor:
Guangxi Oil Painting Association
Liuzhou Artist’s Assotation
赞助企业：柳州市美欣置业有限公司
特别感谢：四川美术学院
媒体支持：
Media Supporter：
《世界艺术》
World Art
《美术焦点》
www.arts2008.cn
《红艺术》
Hong Art
《涂鸦街》
doodle－street
当代艺术网
www.zhuor.com
天禄琳琅艺术网
www.artvip.net
艺术数据网
www.art-here.net
中国宋庄网
www.chinasongzhuang.cn
今日艺术网
www.artnow.com.cn
中国爱国主义教育网
www.aicn.tv
卓克艺术网
www.zhuokearts.com
深圳艺术网
www.szarts.cn
重庆美术网
www.cqart.com
联系我们∕Contact Us
地址∕Address：广西柳州市解放北路37号
37, Jiefang Northern Road, Liuzhou City, Guangxi
邮编∕Post Code：545001
电话∕Tel：0772-2803317
网站∕Website：www.lzbwg.com
邮箱∕E-mail：Liuzhoubwg@163.com
陈正乾画序
牟群
在今天绘画的多元形态中，几乎没有什么样式可以称之谓“原创”。年青的画家们在海量的资讯和多姿的生活中具有更加自由的资源选择和价值判断。由之，“适合性”已取代“个性”成为当代艺术的衡量尺度。
判别一个画家是否得道入室，也就在于看其是否真正把握了适合自己的风格样式或表达语言。艺术的高下精粗，亦在于对这种“适合性”的穿透、独悟和超越。
陈正乾的绘画，选择了西方抽象艺术的笔触和类似中国传统绘画“积墨法”的“积笔”图式，并能溶汇贯通，自成体统，挥写自如，体格多变。或满幅均由抽象符号构成，或与山水景物掺伴。他将这种以一当万的“积笔”手法作为一种抒情方式，喷发或镶嵌到各种情景画面中，一如音乐的华彩乐段。
陈正乾的“积笔”图式带着内在的激情和对生活的关注，包括记录当下的民生事件如近期的雪灾，在多样的表现意欲和什绵光鲜的精彩灿烂中，亦略欠语言的整体性。
正乾恭勤善思，兼收并蓄，锲而不舍，当有远大前程，制此勉进，是为序。
2008．4．23
于四川美术学院
Prologue
Mou Qun
Nowadays, because of the diversification of painting, there is almost no style which can be called “original”. For the abundant information and colorful life, young painters have been freer in selection of resources and in judgement of values. Hence, suitability substitutes individuality, to be the yardstick of contemporary art.
To judge whether an artist is successful or not, relies on how suitable he grasps his own style and how precisely he expresses his words. The division of art achievement is just on the aspects of penetration, uniqueness and transcendence in “suitability”.
Chen Zhengqian mixed up wholly and uniquely the western abstract brushwork and the accumulation with brush pens in tradition Chinese painting, which is fluent in painting and various in shaping, sometimes consisted of abstract symbols, or sometimes accompanied by landscapes. As a lyric way, the accumulation with brush pens is used to embed in all kinds of scenes, just as the cadenza period in musical works.
Chen Zhenqian’s paintings through the accumulation with brush pens have internal passion and focus on life, including the resent snow disaster. However, despite the multiple expressive ways and colourful significance, there is still a little deficiency in painting language integrity.
Zhenqian, a man who can absorb others’ ideas and be unremitting in his way, ought to have a bright future. Here, I made this prologue to encourage him.
2008．4．23
Sichuan Fine Arts Institute
皖公网安备 34010402700602号
