记忆犹如一种状态群，随机而悠长。对于艺术家而言，更多的是用自己的艺术来表达或记录某种其心驰神往的记忆感受，它可以是超拔的、入俗的、激烈的、宁静的。本次“盛世光华大师珍藏及当代玻璃艺术展”以群展方式为我们呈现的就是其中一种状态，这是一系列潜藏在各艺术家内心深处难以名状的迷醉，是一种对精神对未来的灵动向往。
        艺术品如何形成生命亦离不开艺术家自身所具备的独特的记忆经验。历程所停留、注目、思考之处存在他们的印象之中，投射去未来。展览所邀请的7位大师分别是：： René Lalique(1860-1945年，法国)、 孙良（中国）、 Petr Larva（捷克）、 Jiri Pacinek（捷克）、 Petr Doubek（捷克）、李放（中国）、大川熏（1940-2008年，日本）。
       作品创作年份从百年前到今天，200件作品犹如专业史书般详尽。展览不仅呈现7位大师的重要作品,同时还会带来关于他们的珍贵影像。各位大师以其精湛绝伦的创造力将为大家带来难以忘怀的新记忆。

       Memory is like a group of various states, random and long. To the artists,they more express or record a memory of their feelings of obsession by their own art, it can be transcendent, into the vulgar, intense and quiet. The group show "Age of Splendour——Exhibition of Masterworks and Contemporary Glass Art " presents us one of the state, which is a series indescribable intoxicated feelings hidden in their hearts,which is a positive yearning for the spirit、for the future.
       How can art turn into life?It’s inseparable from the unique  experiences and memories of their own.Course of the staying, attention, thinking exists in them impressions, projects to the future. The show presents the works of seven masters,they are: René Lalique (1860-1945, France), Sun Liang (China), Petr Larva (Czech Republic), Jiri Pacinek (Czech Republic), Petr Doubek (Czech Republic), Li Fang (China ) and Okawa Kaoru(Japan).
      The creation year of the works is from a hundred years ago till today, 200 pieces of works are as comprehensive as a professional history book. Exhibition not only presents the important works of  seven masters,but also shows their precious images. They will bring us unforgettable new memories by their exquisite creativity.