策 展 人：棉布
       艺 术 家：康羽
       展览城市：北京
       开幕时间：2013-8-10 17：00
       展览时间：2013-08-01 至 2013-08-30 
       展览地点：在3画廊
       展览地址：朝阳区酒仙桥2号798艺术区797路10号院
       联系电话：010-59789875

       展览前言： 
       康羽在这一时期，挪用艺术史中的图像、构成，让巴洛克的叛逆风格以及大师拉斐尔，雷诺阿，鲁本斯，克里姆特直接呈现他内心的气氛，为此，他创造出两双眼睛：似乎隐含着背后的神秘事物；又似乎又在表明如此亲近大师他内心的崇敬和调侃。
       红和绿是康羽的决定。好让鲁本斯的扭动更加剧烈，让坠入爱河的雷诺阿、拉斐尔、克利姆特的人物甚至他们本人，再一次陷入情色里，在大汗淋漓的笔触下，大师以似乎多了些＂狡猾＂的回溯，迷惑了我们，以为他们依然活着。
       但，的确康羽拥有了大师，即便如此，那个灼热的只剩下红和绿的每寸肌肤，把整个夏季都带到了情色的氛围里，似乎，多了一双眼睛一样难以辨认和逃离艺术家所营造的赞颂。在那样的情色中。
       我们只好拥有大师。

       2013年8月于北京 在3画廊
       During this period I own the master
       By curator: Mianbu   Translation: Huaning Xu
       During this period, Kangyu has “misappropriated” images and compositions in art history, directly reflecting his inner atmosphere through the rebellious Baroque style as well as through masters such as Raphael, Renoir, Rubens and Klimt, for which he created two pairs of eyes: seems to imply mysteries behind; seems to indicate his closeness to the master as well as his inner reverence and ridicule.
       Red and green are Kang Yu's decision: so Rubens could twist even more intense; So Renoir, Raphael, Klimt and even himself who fell in love could be caught in erotic once again. In every stroke soaked with sweat, these masters seem to have more “tricky” recalls, confused us as though they were still alive.
       However, Kangyu indeed own the master. Even so, the every inch of the scorching skin, left only red and green, has brought the whole summer into the erotic atmosphere. It seems that to have one more pair of eyes is still difficult for identifying and escaping from the eulogy that artists deliberately created----in such an erotic. 
       We have to own the master.
       Being 3 Gallery
       August, 2013