朱兴国说：“这些画，把它们从画室带到这里，就像老圣地亚哥，把鱼骨从海上带回岸边。我无法过多陈述。这些画无法为你呈现“大马林鱼”的肥美，但它却留有以命相搏时的痕迹......

兴国的画面里有某种不知是因为外在技法、技术上力所不逮的局限，抑或是内心深处某种不为人所知的隐秘的冲突，而造成的不顺畅以及笨拙。这样的不顺畅以及笨拙配合上一个简约、概括的形式的结果本应使画面的表现力劣化，然而，却准确传递出一种“虽身处这个世界，却不属于这个世界”的生存状态。我觉得这样的认知是非常了不起的，藉此，我们才会不断地追问自己是谁，来自于何处；又因意识到自己这个个体生命在世界和宇宙中的绝对的孤独性，因对人类孤独、无助的真实境况的深刻理解，我们才会爱他人，爱生命本身。

 

Zhu XinGuo say “He brought the paintings from the studio to Lan space, just like the old Santiago, the fish bone from the sea back to the shore. I was unable to 

 

excessive statements. These pictures can not be rendered for your" big marlin "sublime, but it left  Competing  with  traces of  life  when ......"

In Xingguo’s paintings, there somehow exists some awkwardness and disfluency, which might be out of his inner concealed conflicts, or of his incapability on the 

 

drawing techniques and mastery. The awkwardness and disfluency as such, plus a simple and generalized drawing formal language should have led to a result that makes 

 

his paintings’ expressiveness deteriorated, however the ultimate outcome turns out to be such an effect that may give an index to we human beings’ predicament, 

 

“though we are in this world, but not of this world. ” - a cognition that one who realizes he actually is a sojourner, a pilgrim, an alien against this earth.

 It is out of my humble opinion that the cognition like this is tremendously magnificent, for by which we can question further “who am I ？” and“ from where I came 

 

？” in addition because we have perceived everybody as an individual existing in this world and in this vast cosmos as myself holds an absolute loneliness, we could 

 

therefore comprehend the loneliness and helplessness of all human beings’ also, hence we could love our neighbours, love the Life itself.     

 

朱兴国 ／Zhu XingGuo

中国人民大学讲师

1982 生于中国山东

2003 本科毕业于山东艺术学院

2008 硕士毕业于中国人民大学艺术学院

2015 博士就读于中国人民大学哲学院

 

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