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“雾象”哈内姆勒x卢彦鹏个展
展览时间:2019/9/21-2019/10/5
展览城市:北京-北京
展览地点:凹凸空间
策展人:v
主办单位:凹凸空间
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展会介绍

开幕时间:2019-09-21 18:00:00

展览地址:北京市东城区北新桥头条67号

参展人员:卢彦鹏


展览介绍:

雾象

文/田绍池

一束光的出现引发了关于石头的记忆,破裂、撞击、延伸出一只脚、一只手、一只眼、一个拖着石头的婴孩、描绘的痕迹累积成整个人的身体。

人的躯体本身的象征性与庄重的佛与山的静穆形象瞬时地显现与叠加,模糊了诗、绘画与摄影之间的界限,柔和且斑驳似乎与观者维持着距离,分不清时代线索的场域,像是一场记忆的梦境。这是一场在暗房里的相纸上形成了由触摸、药水、温度,放大时间,反复尝试所积累下来的界面场景。

摄影的镜头隔着一层,物象与自我的距离,不明晰的类似于雾面。此“雾”对于卢彦鹏而言相当于此“悟”,作品中物象的石头、孤树、山岭、人体、都成了参悟思考的介质,如果暗房看成他制造迷雾的时间机器,那么作者就是引领观众的潜行者,作品的创作实际上是极富隐喻的诗意表演。在时间与空间的语言上,作品摆脱了有关怀旧、追忆的古老义务且将人与物象从叙事,从其线性的秩序,从时间的一致性的巨大的语法游戏中解放了出来。现身于沉静而又细腻的自我与万物共生长的维度关系之中。

The appearance of a beam of light triggers the memory of the stone, the crack, the bump, the extension of a foot, a hand, an eye, a baby dragging the stone, the trace of the depiction accumulates into the whole human body.

The symbolic image of human body and the solemn image of Buddha and mountain appear and superimpose instantly, blurring the boundary between poetry, painting and photography. It seems to maintain a distance from the viewer in a soft and moggy way, and cannot distinguish the field of time clues, just like a dream of memory. This is an interface scene accumulated by touch, potion, temperature, magnification of time and repeated attempts on the photographic paper in the darkroom.

The lens of photography is separated by a layer, the distance between the object image and the self, indistinct similar to the fog. For lu yan-peng, this "fog" is equivalent to the stone, solitary tree, mountain and human body in the works of "enlightenment", which all become the medium of meditation and thinking. If the darkroo

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